February 14, 2016
in Free PDF Spider Woman's Children: Navajo Weavers Today
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Spider Woman's Children: Navajo Weavers Today
Free PDF Spider Woman's Children: Navajo Weavers Today
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Review
"At last, an exquisite book conceived and written by expert Diné weavers who explore 'the breadth and complexity of who we are!' The authors’ richly detailed profiles honor their elders and Spider Woman and validate a vital future for Navajo weaving." —Ann Lane Hedland, retired director, The Gloria F. Ross Center for Tapestry Studies, Arizona State Museum, Tucson"Spider Woman’s Children is a thoughtful and heartfelt book that will serve to educate and excite people about the ongoing tradition of Navajo weaving, and no one is more qualified to write on the subject than Barbara and Lynda." —David M. Roch, Director and CEO, Heard Museum"If you like Navajo textiles, you’ll love this book. It puts human faces and stories behind a wonderfully complex art form in which the artists were kept anonymous for far too long." —Steve Nash PhD, Department Chair and Director of Archaeology, Denver Museum of Science and Nature"This is the book I have been wishing someone would write. Interviews with weavers and their families form a moving statement of the place that weaving has at the heart of those families." —Ann Marshall PhD, Director of Research, Heard Museum"Readers will find they have taken a journey across and through the broad landscapes of Navajo lands, stopping along the way to meet family and remember those who have passed but continue through their remembered lives to teach about weaving and its extraordinary powers." —Bruce Bernstein PhD, Executive Director, Ralph T. Coe Center for the Arts, Santa Fe, New Mexico "The authors recognize that all weavers have a story to tell about their weaving, and every weaving tells a story about its creator. It is these stories, told by multiple generations that are at the heart of this lively and richly-illustrated volume and make it a fascinating read." —Helene Woodhams, Librarian, Pima County Public Libraries
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About the Author
Barbara Teller Ornelas and Lynda Teller Pete are fifth generation, and widely acclaimed, Navajo weavers and sisters. Together they teach Navajo weaving workshops at museums, galleries, and guilds. Barbara is internationally renowned for her fine tapestry weaving. She has been artist in Residence at the Heard Museum and the British Museum in London and has served as an ambassador for Navajo weaving, culture, and tradition in arts exchange programs in Peru, England, Uzbekistan, and beyond. Lynda won her first prize in weaving at age 12, and continued weaving while she received her degree in Criminal Justice from Arizona State University. She has been a weaver full-time since 2010.
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Product details
Paperback: 144 pages
Publisher: Thrums Books (September 7, 2018)
Language: English
ISBN-10: 099905175X
ISBN-13: 978-0999051757
Product Dimensions:
10 x 0.5 x 10 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#72,439 in Books (See Top 100 in Books)
Wonderful and current history of Navajo weaving. A must for any Weaver
I loved the family history behind this wonderful art of Navajo weaving.
Very good book.
This was a gift for someone with many Navaho rugs. They seemed to like it.
This is a great book. I love the way that the stories are told. The stories provide rich detail about the weavers and provide insight to Navajo culture.
Great book love it!
What do I love about this book? Let's see...The intro to each person, listing her (or his) clans, and then a paragraph naming their whole extended families. That is real, and maybe comes from the fact of the authors being Navajo/Diné.That each piece is short, not trying to tell everything, but making some good and consistent points. It seems like every person in the Navajo Nation must weave.They seem to be so monumentally prolific!!! and all award winners. And no one keeps her work, it is all destined for sale and goes... As a weaver, that feels kind of heartbreaking, but then I think how little of my own work I have, and it makes some sense.I got a big education in how many shows there are, how many places giving award recognition, how many museums actively buying, what a huge network of acclaim and support there is. It took a long time to build all that. And while they only barely touched on it, I could not help but think that those early trading post buyers who were so demanding did them a big favor. I can easily imagine that conversation in the ngo world of Guatemala, where any number of people do not want to work with fair trade organizations, for instance, because it is too hard, too demanding. Now Navajo rugs are famous for extraordinary quality, and I can only wonder if that would be as true if those controversial traders had never been part of the picture.I love the rug section in the back, of course. I have heard all those names forever, or maybe only some of them, but never learned enough to make distinctions. That is a beautiful section.The photography, of course. Even I might be able to take beautiful pictures in one of the most beautiful places on the planet, but Joe has outdone himself. Makes me want to pack up and go. Or skip packing and just go.I love their voice, how they talk about the people and the work.I cry again for things governments are capable of. And I think the way those stories were included, clearly but not whacking anyone over the head, was perfect.I'm very glad to have met both authors in Cusco last year. It adds a lot, of course. I want to see them again. In fact, I want them to come here to Guatemala and talk with weavers here about their story, their history, and give hope and some practical ideas about ways things can move forward here.I'm inspired and awed. Not bad.
As a long time weaver, living in the West, I cannot remember a time when I didn’t love Navajo weavings. In books, and museum exhibits and car trips through the Southwest I have studied and admired the serene designs, elegant color choices and skilled weavings. I have read many books about the Navajo people and Navajo weaving but for the first time this is a book written about and by Navajo weavers.Written by two sisters, this is an intimate book. It takes a few chapters to understand how deeply all these weavers are connected to each other, their people and their history. Aunts, grandmothers and grandchildren, brothers and in-laws, these are families that have been weaving for many generations and take their heritage seriously. Family history and Navajo culture and history are interwoven with chapters that focus on the life stories of about 30 individual weavers or tool makers. Some are involved in the labor intensive work of raising and sheering sheep and collecting plants for vegetable dyes for the yarn they spin. Others have adapted by using commercial yarn or dyes. The focus is tradition but the book ends with several chapters on much younger family members who are carrying on the family arts and crafts in unique and sometimes less traditional ways.As with all Thrums books, beautiful photos complement the text. There are careful photos of weavings in progress and of award winning rugs. There are photos of the weavers and their homes and the beautiful Southwestern landscape. This is a hopeful book looking backward and forward. It is both educational and enjoyable; a well rounded story.
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